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ARRI-Ultra-Prime-Lenses-T1.9

ARRI Ultra Prime Lenses T1.9 are professional cinema primes developed by ARRI and ZEISS for high-end filmmaking. Their fast T1.9 aperture provides excellent low-light performance, shallow depth of field, and smooth subject separation. The lens family delivers consistent color, sharpness, contrast, and cinematic rendering across multiple focal lengths. Compact construction, standardized focus and iris positions, long focus rotation, and PL mounting make the lenses ideal for professional follow-focus and matte-box setups. They are widely suited to feature films, commercials, television, documentaries, and cinematic productions.

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Description

ARRI Ultra Prime Lenses T1.9 are professional cinema prime lenses designed for high-end feature films, commercials, television, documentaries, and cinematic productions. Developed by ARRI and ZEISS, the Ultra Prime series is known for its exceptional optical performance, consistent color rendering, compact design, and reliable mechanical construction. With a fast T1.9 maximum aperture, the lenses provide strong low-light capability while allowing cinematographers to achieve shallow depth of field and attractive subject separation.

The Ultra Prime family offers a broad range of focal lengths, allowing filmmakers to maintain a consistent visual character while moving between wide-angle, standard, and telephoto perspectives. The lenses are designed to provide high resolution, controlled distortion, excellent contrast, and smooth rendering across the frame.

A major advantage of the Ultra Prime system is its consistent physical design. Focus and iris rings are positioned similarly across the set, allowing fast lens changes and easy integration with professional follow-focus systems, matte boxes, and other cinema accessories. The compact construction is particularly useful for handheld, Steadicam, gimbal, and studio camera setups.

Key Features

  • Professional ARRI / ZEISS Cinema Prime Lens Series
  • Fast T1.9 Maximum Aperture
  • Designed for Professional Cinematography
  • Super 35 Image Coverage
  • Consistent ZEISS Optical Rendering
  • Excellent Sharpness & Contrast
  • High Optical Performance
  • Smooth & Natural Background Rendering
  • Excellent Low-Light Capability
  • Consistent Color Across the Lens Set
  • Compact & Lightweight Cinema Design
  • Professional Manual Focus
  • Long Focus Rotation
  • Standardized Focus & Iris Gear Positions
  • 114mm Front Diameter
  • 80mm Filter Thread
  • PL Mount
  • Compatible with Professional Follow-Focus Systems
  • Matte Box Compatible
  • Excellent for Handheld & Steadicam Work
  • Ideal for Feature Films & Commercials
  • Suitable for Television & Music Videos
  • Excellent for High-End Documentary Production

Typical Focal Lengths

The ARRI Ultra Prime family includes a wide range of focal lengths such as 12mm, 14mm, 16mm, 20mm, 24mm, 28mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm and 135mm, depending on the specific Ultra Prime generation and configuration.

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